
INTRODUCTION OF MUSIC PRODUCTION TRAINING SCHOOL
At TGC, Sound PRO is a program for all the music enthusiast having a keen interest in Audio Engineering and Recording training course . Made with a 100% practical approach Sound pro is about practice on Recording, Synchronization, Mixing, Reproducing voice, Music and Sound Effects. Sound PRO deals with Audio for a wide range of applications i.e. music production courses , Film and A/V post-production, live sound reinforcement, advertising and multimedia broadcast.
At TGC, a course in Sound PRO will help you prepare a career as Musician, Music Production Artist, and Sound Engineer. Faculty at TGC is young & talented Music producers with relevant hands-on experience.
Programme Outline:Â Sound Engineering Institute
Normal Track
Course Duration: 4 months
Schedule: 2 Hour/3 days a week
Fast Track
Course Duration: 3 months
Schedule: 2 Hours/ 4 days a week
(Weekend options also available)
Introduction to AD / DA  Converters / History of Recording – TAPE / VINYL
- Analog Gear – PREs /EQs/ Compressors/ EFFECTS Unit.
- Mixing Console.
- Types of Microphones & Signal Path.
Audio & Sonics
- Audio Bandwidth.
- What is Bit and Sample rate?
- Various Audio Formats
- Identifying various elements/ instruments in a song.
- The frequency range of various instruments.
EQ & Dynamics IÂ
- Eq and Compression (Dynamics Processing) Vol 1.
- Types of Compressors & Limiters (Classic & Modern).
- Limiting.
- Passive EQ.
- Saturation.
Eq & Dynamics IIÂ
- Eq and Compression (Dynamics Processing)
- Parallel Compression.
- Sidechain Compression.
- Applying compression to various types of sounds/instruments/drums.
- Mix Bus Compression.
- Mastering EQ (Clinical).
- De-using & Multiband Compression.
RECORDINGÂ
- Eq and Compression (Dynamics Processing) Vol 2.
- Parallel Compression.
- Sidechain Compression.
- How to apply compression to various types of sounds/instruments/ drums.
- Mix Bus Compression.
- Mastering EQ (Clinical).
- De-essing & Multiband Compression.
Vocal/Instrument Tuning & Harmonization
- Eq and Compression (Dynamics Processing)
- Parallel Compression.
- Sidechain Compression.
MIXINGÂ
- Listening to reference tracks (various styles)
- Organizing the session and labeling + coloring.
- Grouping Tracks and creating Buses.
- Basic Balancing starting with drums finishing on vocals.
- Using OZONE to tame a rough Mix.
- Widening Tracks.
- Drum Replacement and Audio Quantization.
- Beat Detective/ Â Audio Transposing.
MIXING IIÂ
- Using EQ to cut unwanted freq.
- Compressing Vocals
- Eq and De-essing Vocals.
- Eq ing Drums.
- Drum Compression.
- Eq Drums.
- Masking of sounds.
- Exciter/ Declicker etc.
- Gating Drums.
MIXING IIIÂ
- Compression on guitars
- Compression on synths and eq.
- Using Effects – Reverb / Delay / Chorus / Modulation to colour sounds.
- Using Effects – to color Vocals and make them sit… extreme vs. subtle applications.
- Using Emulation Plugins of Classic Gear: Tape/Tubes etc.
- Guitar FX Processing.
- Fade Application.
MasteringÂ
- Using Ozone:
- Pre Eq
- Compression (Single/ Mixbus / Multiband)
- Spatialization of Entire MIX
- Post EQ.
- Saturation (TUBE / TAPE / EXCITER)
- Limiting and Level Maximization
- Interpreting Meters / Phase & Level.
- Normalization.
- Dithering and Noise Shaping.
Acoustics & Project Development and Review
- Using Ozone:
- Pre Eq
- Compression (Single/ Mixbus / Multiband)
- Spatialization of Entire MIX
- Post EQ.
- Saturation (TUBE / TAPE / EXCITER)
- Limiting and Level Maximization
- Interpreting Meters / Phase & Level.
- Normalization.
- Dithering and Noise Shaping.
Technology Used
FL Studio, Choose one (Logic, Cubase, Ableton, Protools)
To know more – enroll now or speak to our counselors at Toll-Free No.: 18001020418